This Library Note sets out background information about the BBC’s purpose, funding and independence and explains the Royal Charter renewal process. It then provides an overview of the green paper’s four themes and highlights the views on these of the BBC Trust and, where relevant, those expressed by parliamentary committees.
BBC: Future Financing and Independence (611 KB , PDF)
The BBC is established by Royal Charter, rather than an Act of Parliament. It was first incorporated by Royal Charter in 1927, with subsequent renewals running for various periods of five, ten, twelve and fifteen years. The current Charter, Broadcasting: Copy of Royal Charter for the Continuance of the British Broadcasting Corporation, was laid before Parliament in October 2006. It came into effect in January 2007 and will run until 31 December 2016. The Charter sets out the public purposes of the BBC, guarantees its independence and provides the duties of the BBC Trust and Executive Board, which form its governance structure. It also makes provision for a Framework Agreement to be made between the Secretary of State and Director-General. This agreement provides more detail about those topics set out in the Charter but also those that are not, such as funding and its regulatory duties. The current Agreement, Broadcasting: An Agreement Between Her Majesty’s Secretary of State for Culture, Media and Sport and the British Broadcasting Corporation, was laid before Parliament in July 2006.
On 16 July 2015, John Whittingdale, the Secretary of State for Culture, Media and Sport, announced to the House of Commons that the Government had published a green paper as a first step towards the BBC’s Charter renewal. Mr Whittingdale told MPs that the BBC Charter Review would consider four key questions:
• What is the overall purpose of the BBC?
• What services and content should the BBC provide?
• How should the BBC be funded?
• How should the BBC be governed and regulated?
BBC: Future Financing and Independence (611 KB , PDF)
The government has identified the creative industries as one of eight “growth driving” sectors it will prioritise in its industrial strategy. The strategy is due to be published later this year, along with a creative industries sector plan. The creative industries have called on barriers to growth, such as skills gaps and access to funding, to be addressed in the sector plan.
Currently, developers are subject to copyright law when using large data sets to train artificial intelligence (AI) models. In December 2024, the government published proposals to change the way in which this material could be used. This included the establishment of a copyright exemption for AI developers and a new rights reservation model whereby copyright holders would need to opt-out from having their material used for training AI.
Concerns have been raised about the state of the opera sector in England, with much of this focused on the financial pressures it is facing. Some institutions face reductions in Arts Council funding and, taken together with increasing costs, this has led to cuts in performances and concerns about the sector’s future viability. Concerns have also been raised about diversity and equality across opera, including in audiences and the workforce.
